Firehall Update: Tuesday, march 9th

Hope you are all well and am sure you are looking forward to the spring. The cherry blossoms are out in the Firehall Courtyard which is a very early sign that spring is coming. When will we be back in the theatre enjoying live performances? It is hard to tell as we approach the one year mark of the shut-down of live performing arts across a great majority of the globe. It seems there may be light at the end of this tunnel, as vaccinations ramp up. I have also been participating with a consortium of leaders of professional performing arts venues from across the province to encourage Public Health to consider our operations in a more accurate manner than casual one off events, as defined in current orders, but as the professionally run not for profit businesses that we are. This process has been slow but discussions are happening and we are hopeful that just as bars, restaurants, museums, galleries and retail outlets are allowed to operate, performing arts venues will also be able to do so soon.

With that first shut-down, the brief re-opening of our spaces for limited audiences and then the second shut-down it has begun to feel like we have lost a part of ourselves in this process. While I am not aware of how the Spanish Flu epidemic impacted cultural activity, I am aware that during the war years theatres were open and people continued to get together to listen to music, attend dance and theatre performances, and visit museums. And now with very few of us having experienced any restrictions on our ability to choose to attend a performance where we can be transported out of our day-to-day routines, a void has been created. So I long, as many do, for these particular restrictions to be over and wonder each day, with so many restrictions lifted, why all of these performing arts venues with COVID-19 Protocols in place continue to be closed. Audience members and supporters tell us how much they long to sit in a theatre and enjoy the unique experience of watching human beings share their artistic talents through music, dance or theatre.

As we look forward to the future, the Firehall is planning its 2021-2022 season. It will include many of the works we were unable to produce that had been planned for presentation in what we are referring to as the pause and pivot year. But before the next season launch, we look forward to sharing the streamed work of the In the Beginning’s discussion and a re-visit to Alan Morgan’s I Walked the Line. We have a mystery project planned for May and in June, will produce R.A. Shiomi’s Yellow Fever. No, it is not a play about a pandemic or yellow fever, the disease, but a play that takes place on Powell Street in Vancouver. A long time gathering place for the local Japanese-Canadian culture until their internment during the Second World War, Powell Street continues to play an important role in Vancouver’s history. This work set in the 1970s, features a Sam Spade-like main character, Sam Shikaze, who must work to unravel the mysteries that surround him. The production will be staged as a live-radio play with artists creating the folio and a small studio audience ( we hope). The work will also be recorded and shared through streaming. Hiro Kanagawa will portray the Sam Shikaze character and the production will be co-directed by Raugi Yu and myself. It is going to be fun to work on this important work and translate it with new tools for audiences online or in the theatre.

We have just had the Talking Stick Festival in the theatre recording many of the festival’s events. It has been so great to have artists in the building and in particular from this Festival. Talking Stick started as a Monday night Indigenous discussion and showcase event in the Firehall’s studio and now twenty years later has become one of the most important Indigenous Peoples Festivals across the Globe. A big congratulations to Margo Kane and her great team for keeping the festival moving forward during challenging times.

The end of this week we wrap our Canada Works program that has allowed us to have three talented young people working with us for eight weeks since the beginning of January working on administrative, marketing, and technical production tasks. Thank you to Mirna, Talya and Charlie for your help and we look forward to staying in touch in the future. Also, thanks to Canada Summer works for providing us with the opportunity to introduce young people into the world of the performing arts.

As a concluding note, today we are celebrating the Firehall’s 39th anniversary. The Firehall first opened its doors on February 25, 1982 with a performance by Axis Theatre, who were managing the venue in collaboration with the Playhouse Theatre Company at that time. Much has changed since that time but we have endeavored to fulfill the Society’s mission of enriching lives and expanding minds through arts and showcasing provocative performing and visual arts reflective of the diversity of Canada. We wish you could all enjoy a performance and the beautiful cherry blossoms blooming in the courtyard with us on this celebratory day.

-Donna Spencer, Artistic Producer

Firehall Arts Centre 2020/2021 Season

 

 

 

 

 

I Walked The Line (written and performed by Allan Morgan)
October 15th – October 25th, 2020
A Firehall Arts Centre Presentation
A play about unions, treachery, solidarity, porta potties, baked goods, and hope. Allan Morgan is a luminary of the Canadian stage, having spent a lifetime as a professional actor working with companies such as Bard on the Beach, Arts Club Theatre, Theatre Calgary, The Citadel, Touchstone Theatre, and more. When his acting career slowed down, he did what he had to do – he got another job, which landed him in the mailroom of a union headquarters. In July of 2016, the union went on strike and Allan found himself on the picket line with his union sisters and brothers, which was the impetus for I Walked The Line – a 70-minute performance that takes audiences on a roller coaster ride of emotions, transforming the stage to the picket line in celebration of that solidarity, the people, and the storm of emotions the fight for change brought to all those who walked the line for 132 days. Directed by Ross Desprez, I Walked The Line is produced by Bread and Roses Theatre and sponsored by The Other Guys Theatre.

In the Beginning
November 4th, 2020 – November 7th, 2020
Produced by the Firehall Arts Centre and Vancouver Moving Theatre
Storyteller, filmmaker and performer Rosemary Georgeson, and the Firehall’s Artistic Producer Donna Spencer, delve into the history of the Indigenous peoples in the area that is now called Vancouver prior to and during colonization. This is the second stage of the exploration of the many individuals and groups from different cultural heritages who have made the East Side and in particular Strathcona, Chinatown, Gastown, and Japantown the neighbourhoods they are today.
A Heart of the City Festival event.

The Amaryllis
November 12th, 2020 – November 22nd, 2020
A World Premiere Produced by the Firehall Arts Centre and The Search Party
In this premiere production written by Michele Riml and directed by The Search Party’s award-winning Artistic Director Mindy Parfitt, the audience is transported into the fascinating, quirky world of Lucy and Jeremy Keener (Shawn Macdonald). Lucy is a terrifically talented voice over artist and Jeremy is her troubled agent, who would sooner jump off a cliff before ever following a dream of his own. Sister and brother for better or for worse, these two are inextricably bound. The amaryllis plant – a mysterious gift from a mysterious giver – takes on a strange power over their lives. The Amaryllis is mystery about what it really takes to grow and a comedy about what it really takes to change.

Solstice Greetings
December 10th-12th & 17th-19th, 2020
Returning for a third year, Solstice Greetings is the sharing of stories, songs, and seasonal greetings in celebration of the return of the light.

Chapter 21
January 13th, 2021 – January 16th, 2021
A World Premiere Presented by Firehall Arts Centre and Produced by Raven Spirit Dance, in association with the PHT Creative Hub Cooperative.

In this dance/theatre piece choreographed by Starr Muranko and directed by Yvette Nolan, Chapter 21 explores what happens when a vibrant, active artist comes face to face with a crippling collision of events. Chapter 21 is a reflection on the days that have come to pass, and the art of becoming. A new baby boy; Chromosome 21; the big “C” diagnosis, 21 days between treatments, and 21 days to re-pattern beliefs; Courage; Faith; Resilience.

 

Please stay tuned for the announcement of additional shows and dates.